White Papers

Omnia-6EX and -6EXi - Features and Benefits

Audio Processing and the Competitive Landscape

Edited by Kirk Harnack - Executive Director International Business Development Telos – Omnia – Axia

Less than a dozen manufacturers around the world comprise the majority of all audio processor manufacturers for radio broadcasting service. Of these, only two companies, Omnia and Orban, enjoy worldwide acceptance and popularity of their offerings.

Both companies design, test, and manufacture high-quality audio processors for the broadcasting services of AM, FM, TV (digital and analog), Shortwave, DAB, HD Radio, DRM, and other variants. Orban enjoyed dominance in the marketplace until around 2001 when Omnia processors began outpacing others in terms of features, algorithm sophistication, and audio clarity in demanding situations. Within four years of introduction, the Omnia-6 series and the Omnia-3 series of audio processors had taken the lead in USA sales and popularity.

Read more: Omnia-6EX and -6EXi - Features and Benefits

 

Cleaner Yet Still Loud

Audio processing for conventional broadcast transmission (FM and AM) has reached extreme levels. Various methods available today are capable of creating LOUD competitive signals, but at the expense of perceptible quality. What causes this, and what can be done… again… to raise the bar?

Read more: Cleaner Yet Still Loud

 

Sonic Tonic for Audio Coding

Achieving great sounding coded audio is easier said than done. What are the critical elements that set apart great sounding digital channels or streams, especially at lower bitrates? Improving codec performance is accomplished through innovative signal conditioning and processing means. Frank Foti explains how various signal processing and conditioning means can be used to bring to life coded sound.

Read more: Sonic Tonic for Audio Coding

 

5.1 Surround Sound Compatibility Within HD Radio And The Existing FM-Stereo Environment

There are currently 4 proposed methods for surround broadcasting: the three matrix systems and the MPEG Spatial system. Frank Foti compares the systems and points out critical technical issues that broadcasters must be aware of as they consider surround.

Read more: 5.1 Surround Sound Compatibility Within HD Radio And The Existing FM-Stereo Environment

   

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